Top income on YT ? Anastasia Radzinskaya is an unlikely media star. Born in southern Russia with cerebral palsy, her doctors feared she would never be able to speak. To document her development through treatments, her parents posted videos of her on YouTube so friends and relatives could see the progress. The videos are typical kid stuff: playdates with dad, jumping around on an inflatable castle and playing with her cat, each video accompanied by catchy jingles and voice-over giggles. She soon gained followers around the world. Her biggest hit was a 2018 trip to the petting zoo with her father Yuri that featured the two dancing to child favorite “Baby Shark,” milking a pretend cow and eating ice cream. That video has garnered 767 million views, the top draw for a growing media business that has funneled $18 million to the Radzinskayas between June 1, 2018, and June 1, 2019.
It’s difficult to call Once Upon a Time in Hollywood by a single genre, but then again, isn’t that the case with most Quentin Tarantino films? However, we’d be remiss to not include “comedy” when talking about Tarantino’s ninth venture. Brad Pitt in particular offers up a hilarious performance in the film set against the summer of 1969. In particular there’s one scene with a dog, some LSD, and a couple of Manson family killers… damn. That doesn’t sound funny, but we swear, it’s hysterical.
What’s funnier than seeing a man get hit in the junk? Apparently, not much, according to the 280 million people who have watched this video of a dad getting accidentally kicked in the crotch by his toddler daughter. The best part is listening to the mom, who is filming the scene, as she giggles behind the camera. Bad Lip Readings are always funny stuff, and the 2015 and 2016 NFL edits are the best of the best! The simple act of taking clips from athlete interviews and dubbing them over with ridiculously-weird subtitles is a surefire way to get someone laughing. Find extra amazing movies on yt.
Best video for a song in 2019 ? The hot, wretched sickness of young love is rendered so acutely here by 21-year-old US indie-pop star Clairo. There’s a sullen black humour as she war-games the worst thing that could happen – her lover walking out with their bags – as a way to edge away from the erotic terror of the best thing happening. “Can you see me using everything to hold back?” she frets, holding nothing back. The backing, an idle but quietly feverish patter of garage rock, also tries to play it cool but can’t quite manage it, its main instrumental melody searching up and down for a foothold.