Best fashion events in 2022 with Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. After the release of the brand’s collection, Qassim started gaining more attention from the Fashion Industry in Jordan, and started modeling for multiple known brands in the region, like Moustache, He was seen modeling for their SS2021 prêt-à-porter Collection, after that, photoshoots with international Brands started coming Qassim’s way, like Fitella, (A US based brand).
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: Lawrence and Braika included kitschy odes to the Arab pop stars whom they consider to be gay icons of the early aughts, including Lebanese entertainer Haifa Wehbe, Egyptian singer Sherihan, and Maria, an Armenian Lebanese pop star. “They expressed their sexual side, which, while growing up, was so new. As queer people, we saw them claiming their sexuality and their bodies, and their lyrics and their voice,” says Lawrence. Many of the pieces in Trashy Clothing’s latest collection are inspired by these music videos, including a sleeveless tank and red pants culled from Wehbe’s “Ebn El Halal.” Sherihan’s face is also printed on a T-shirt and leggings, while Maria’s face appears on a skirt.
Our cast of Versace Women for AW22 is exciting, Donatella Versace said of the show. Girls like Avanti, Anyier and Tilly perfectly represent a Versace with new generation attitude and they champion diversity. They embody the energy running through the collection and the looks built on contrast and tension — like an elastic band pulled tight and about to snap-back with a build-up of energy. That feeling is just irresistible to me. It opens new possibilities and makes things happen. For Moschino autumn/winter 2022, creative director Jeremy Scott looked into the archives, specifically, the 1989 and 1990 collections, which had seen Franco Moschino introduce cutlery brooches and hot-and-cold faucet handles as accents in his ready-to-wear. Scott used this as a base, and then found more inspiration in the stately home. A close to home feeling ensued, yet it became complemented by a study bordering on the unusual, if not the Kubrickian: If someone, or something, was tasked with creating the clone of a grand manor today, would baroque picture frames, stately armoires, grandfather clocks and crystal-dripped chandeliers still mark the trappings of a monied dwelling?
In a typical season, our most-viewed shows list is fairly steady, but fall 2022 was no typical season. Early on in Milan, almost two years to the day after Covid broke out in Italy, Russia’s invasion of Ukraine disrupted any sense of post-pandemic return to normalcy the industry was hoping for. The rest of the season was an open question, whether or not designers chose to confront it: What is fashion’s place in a moment of incipient war? After a very strange few years, a relatively normal schedule of fashion shows wrapped in March. For autumn/winter 2022, plenty of designers were back on the physical schedule after taking a few seasons off due to the Covid-19 pandemic, while more international editors and influencers also flew around the globe to sit front row at the major shows as restrictions eased.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: In light of all this, a new class of Palestinian political activists, artists, and designers has emerged. This growing mass of politically minded collectives employ art to convey their love for their homeland—and preserve their heritage and history. This is their reclamation, one stitch at a time. Angham Khalil, the designer behind ready-to-wear brand n n b y n n, explores the struggle of attaining a cohesive identity under occupation. The brand’s decidedly unisex clothing, minimalist aesthetics, and subdued color palettes put forth an understated yet culturally potent vision of Palestinian fashion. “What the Palestinian artist lacks is the possibility of communicating with the world, especially with the Arab world. The occupation wants to keep us small without a voice,” says Khalil.